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Bristol Express News (BEN) > Local Bristol News > Bristol Council News > Former Bristol Odeon Cinema Approved as New Nightclub Broadmead 2026
Bristol Council News

Former Bristol Odeon Cinema Approved as New Nightclub Broadmead 2026

News Desk
Last updated: August 22, 2026 7:57 am
News Desk
2 hours ago
Newsroom Staff -
@BE_newspaper
Former Bristol Odeon Cinema Approved as New Nightclub Broadmead 2026
Credit: Google Maps

Key Points

  • Bristol City Council’s licensing sub-committee has unanimously granted a new premises licence allowing the former Odeon cinema on Union Street to be redeveloped into a late-night venue.
  • The application, lodged by project operator UG Arts, permits operations up to 05:00 on Fridays and Saturdays, and until 04:00 from Sunday through Thursday.
  • A planned £500,000 transformation will convert the vacant site into a multi-purpose live music, electronic nightclub, film, and community arts space, creating up to 60 jobs.
  • Legal representative Ewen Macgregor highlighted that the premises previously held a 24-hour entertainment licence, arguing the project offers crucial regeneration for local arts infrastructure.
  • Sub-committee chairman Councillor Richard Eddy praised the plan as a “perfect location,” while local Green Party Councillor Sibusiso Tshabalala described it as a “watershed moment” for Broadmead.

Bristol Council (Bristol Express News) August 22, 2026- The decision allows the historic site in the Broadmead shopping precinct to operate until 05:00 on Friday and Saturday nights, and until 04:00 from Sunday to Thursday (Afrobeats Wire) August 21, 2026.The approval enables UG Arts—the team behind the Sawmills venue in St Jude’s and the Underground space beneath the Galleries—to execute a £500,000 redevelopment of the multi-screen building, which has sat vacant since Odeon relocated its operations to Cabot Circus in February (Bristol Live) August 21, 2026. The ambitious scheme will establish a live music and club destination focusing on electronic music, whilst preserving space for film screenings, community talks, and theatrical productions (Afrobeats Wire) August 21, 2026.

Contents
  • Key Points
  • Will the former Odeon cinema adapt to late-night operations without causing disruption?
  • How did local councillors and community figures react to the sub-committee’s decision?
  • What structural changes are planned for the Union Street building?
  • Background of the particular development after the news
  • Prediction on how this development can affect the night-time economy, local residents, and the broader arts sector

Will the former Odeon cinema adapt to late-night operations without causing disruption?

During the licensing hearing, legal representatives addressed the operational transition of the historic property, which originally opened as a picture house on part of the former Fry’s chocolate factory site in 1938 (Bristol Live) June 29, 2026.

Addressing the sub-committee on behalf of the applicant, solicitor Ewen Macgregor of UG Arts stated that the historic building had long possessed established commercial usage rights (Bristol Live) August 21, 2026. As reported by Adam Postans of Bristol Live, Ewen Macgregor of UG Arts stated that

“it’s hard to imagine what else that space could be used for”

(Bristol Live) August 21, 2026.

Mr Macgregor pointed out that the cinema had historically operated under a 24-hour entertainment permit, though it lacked authorization for late-night alcohol sales (Bristol Live) August 21, 2026. As reported by Adam Postans of Bristol Live, Ewen Macgregor of UG Arts stated that

“at a time when licensed premises across Bristol and the country are closing, this application should be welcomed and supported”

(Bristol Live) August 21, 2026. He added that the panel’s “only sensible conclusion” was to approve the application (Bristol Live) August 21, 2026.

The applicants confirmed that ahead of the hearing, conditions had been agreed with Avon and Somerset Police and environmental health officers, both of whom had initially lodged representations regarding the venue’s location within the uk/local/city-centre/">city centre cumulative impact zone (Bristol Live) August 21, 2026.

How did local councillors and community figures react to the sub-committee’s decision?

The proposal received strong backing from panel members who cited the urgent need for inner-city economic regeneration (Bristol Live) August 21, 2026.

As reported by Adam Postans of Bristol Live, independent panel member Councillor Paula O’Rourke stated that “Bristol needs to have this regeneration. It’s fantastic” (Bristol Live) August 21, 2026. Sub-committee chairman Councillor Richard Eddy, Conservative member for Bishopsworth, concurred with the sentiment, stating that

“it’s a perfect location for an enterprise such as this”

(Bristol Live) August 21, 2026.

Local ward representatives also welcomed the outcome as an opportunity to revive the primary shopping district (Bristol Live) August 21, 2026. As reported by Adam Postans of Bristol Live, Central ward Green Party Councillor Sibusiso Tshabalala stated that the decision represented a

“watershed moment for Broadmead’s transition”

(Bristol Live) August 21, 2026.

Councillor Tshabalala noted that high streets cannot be allowed to sit empty while long-term regeneration schemes face delays, describing the project as an intentional “meanwhile activation” that introduces a “City Centre Community Centre concept” (Bristol Live) August 21, 2026.

He added that bringing theatre, film screenings, and music back into the core retail district would help establish an “inclusive, sustainable life” for the city centre (Bristol Live) August 21, 2026.

What structural changes are planned for the Union Street building?

UG Arts project leaders Luke Turner and Jack Seales confirmed that private capital is being deployed to reconfigure the premises into a modern, multi-room cultural venue (Bristol24/7) August 20, 2026. The venture is expected to generate up to 60 local employment positions upon launch (Bristol Live) August 21, 2026.

As reported by Martin Booth of Bristol24/7, project partner Jack Seales stated that

“we want to add something into Bristol for the people of Bristol, just something that will really add to the Bristol culture”

(Bristol24/7) August 20, 2026. Mr Seales observed that the former cinema was an “amazing building” that was “almost fit for purpose already” (Bristol24/7) August 20, 2026.

The architectural conversion will involve removing fixed seating from screen one and most of screen two to create flexible dance and performance areas, creating new fire exits connecting auditoriums, and establishing an external smoking area (Bristol Live) June 29, 2026.

Addressing concerns raised by neighbouring entertainment business Electric Bristol—which had cited concerns over cumulative venue density—UG Arts leadership defended the project’s wider cultural role (Bristol24/7) August 20, 2026. As reported by Martin Booth of Bristol24/7, Luke Turner of UG Arts stated that

“there’s a real danger of Bristol becoming a bit of a desolate wasteland at the minute with everything that’s going on”

(Bristol24/7) August 20, 2026. Mr Turner added that the new arts hub is designed to “bring some vibrancy and life to the city centre” that is “much needed” for residents and visitors alike (Bristol24/7) August 20, 2026.

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Background of the particular development after the news

The approval of the Union Street licence marks a major pivot in the history of one of Bristol’s most recognizable leisure sites. Constructed on the former grounds of the Fry’s chocolate works, the Art Deco building opened as the Odeon in 1938 with seating capacity for nearly 2,000 patrons across its stalls and balcony.

Over eight decades, the site weathered changes in the cinematic industry, converting into a multi-screen complex in the mid-1970s while retaining its architectural presence in Broadmead. The location also holds a distinct place in regional folklore due to the unsolved 1946 murder of cinema manager Robert Partington-Smith, an event that triggered decades of local ghost stories.

The venue’s closure in February came as part of a commercial consolidation by Odeon, which transferred its central Bristol presence to a modern Luxe complex inside the nearby Cabot Circus shopping centre.

The resulting vacancy raised immediate concerns among urban planners and commercial retailers regarding the risk of extended blight along Union Street.

The fast-track approval of UG Arts’ proposal reflects a growing policy shift by Bristol City Council toward adaptive reuse.

By approving late-night licensing terms in a former retail precinct, civic authorities are actively encouraging nighttime economy operators to repurpose traditional commercial infrastructure that can no longer rely solely on daytime footfall.

Prediction on how this development can affect the night-time economy, local residents, and the broader arts sector

The introduction of a 05:00 venue on Union Street is expected to produce distinct structural shifts across three primary stakeholder groups:

  • Night-Time Economy and Local Businesses: The establishment of a major music and nightlife hub in Broadmead will likely redistribute central Bristol’s evening footfall. Nearby late-night food vendors, taxi operators, and ancillary transport services stand to gain from increased demand between 02:00 and 05:00 on weekends. However, existing nightlife venues on neighbouring streets may face heightened market competition for patrons and artist bookings, potentially accelerating debates surrounding the city centre’s Cumulative Impact Area policies.
  • Local Residents and Community Infrastructure: While Broadmead is primarily commercial, residential developments along the periphery of the central shopping district may experience changes in late-night soundscapes and street activity. The enforceability of the licensing conditions agreed upon with Avon and Somerset Police and environmental health teams will serve as a test case for whether intensive late-night venues can coexist directly alongside urban residential growth.
  • Artists and Creative Practitioners: For Bristol’s creative sector, the conversion of a disused commercial structure provides vital performance infrastructure at a time when live venues nationwide are facing financial contraction. By offering daytime screenings, theatrical workshops, and non-commercial events alongside late-night electronic music programming, the venue will give local promoters, visual artists, and performers access to a high-capacity, central platform.
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